The premise: Agust (played by Mortensen) would appear to have the ideal life. He's a pediatrician with an attractive wife (Claudia, played by Soledad Villamil) living quite comfortably in Buenos Aires. The couple's plan to adopt a baby derails when Agust changes his mind at the last minute, leading to a huge rift that brings to the surface the true unfulfillment that Agust feels with his life. In the midst of a depressive episode where Agust decides to lock himself in a room, Claudia leaves for some time away and Agust soon receives a visit from his estranged twin brother, Pedro (also played by Mortensen), a beekeeper who reveals he has terminal lung cancer. Certain circumstances lead to Agust eventually escaping his obligation-filled existence and assuming his brother's identity, taking up residence in Pedro's rundown shack in Argentina's Tigre Delta island region where the brothers grew up. A romance develops with one of Pedro's much younger bee farm helpers (Rosa, played by Sofía Gala Castaglione), while Agust becomes caught up in the fallout from Pedro's past criminal affairs with some shady locals.
Mortensen is solid as the brothers, who only share a few scenes simultaneously. Sometimes it could be difficult telling them apart, although the Pedro character tended to be a little more rough around the edges and frankly, I couldn't distinguish the characters' subtle accent differences Mortensen talked about using at the post-screening Q & A. Regardless, his comfort level with the Spanish language is certainly never an issue. Villamil and Castaglione turn in quite fine supporting work, but Daniel Fanego as the proverbial villain is a definite weak link in the film. Other than looking rather creepy, I found the role underwritten and the actor lacking in screen presence.
Piterbarg and cinematographer Lucio Bonelli do a nice job of capturing the dank and swampy atmosphere of the isolated delta area, which not surprisingly is a magnet for criminals and outcasts and makes for a nice backdrop for the malfeasance that drives the narrative. The director also specifically lets a number of questions hang, adding to the film's mystery, but occasionally there's some story choices that are befuddling. Most glaring are the ease with which Agust sells to others that he's Pedro, as well as the fact that Agust doesn't bolt after being beaten by locals thinking he's Pedro, just shortly after arriving in the Tigre Delta.
Everybody Has A Plan's flaws, not the least of which also includes some overly languid pacing, results in a decidedly unremarkable viewing experience.